• Jeffrey Shaw

    T_Visionarium | 2003-08

    In contrast to conventional cinema, where viewers passively watch a singular linear story unfold on a flat screen, T_Visionarium allows viewers to explore and edit a multitude of stories, in 3 dimensions, on a 360-degree fully surrounding screen.

    T_Visionarium takes two forms. The first version, T_Visionarium I (2003), is set within an inflatable dome, named EVE or the Extended Virtual Environment, 12 metres wide and 9 metres high. This immersive environment was invented by Shaw in 1993. Once inside EVE viewers wear a head mounted position tracking device and headphones and step onto a control platform in the middle of the dome. This interface device enables the viewer’s head movements to control the movement of the projection system. By moving the direction of their head, and hence their gaze, viewers navigate around the images projected onto the interior of the dome.

    The second version, T_Visionarium II (2008), is set within AVIE, or the Advanced Visualisation and Interaction Environment. AVIE is the world’s first 360 degree stereoscopic projection cinema. AVIE is a 120-square metre circular screen that surrounds the audience and provides the environment for a wholly immersive three-dimensional cinematic experience. AVIE allows audiences to wander at will through the projection space without having to sit in a fixed location as in a conventional cinema or to stand on a control platform as in T_Visionarium I, interacting with the projected information as if they are really there .

    Primary sensory cross-modalities: VISION, AUDIO, PROPRIOCEPTION, KINESTHETICS

  • The Legible City, 1988-91

    Jeffrey Shaw

    The Legible City | 1988-91

    ‘Visitors to “The Legible City'” … are seated on a stationary bicycle and ‘move’ through streets projected onto the surface in front of them. In contrast to those of a normal city, the streets here are literally legible, lined not by buildings but by letters. On their passage through the city, cyclist-visitors can pursue various narrative threads, accumulating their own history of the city. On a small display on the handlebars is a map of the city on which the cyclists can plot their position. Between 1988 and 1991 Jeffrey Shaw created three versions of “The Legible City”: Manhattan, Amsterdam and Karlsruhe. The Manhattan variant was one of the very first interactive installations, today regarded as a key work of the genre.’ (Media Art Net)

    Primary sensory cross-modalities: VISION, PROPRIOCEPTION, KINESTHETICS